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	<title>Comments on: Arundhati Roy: Walking with the Comrades</title>
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	<description>the emperor can burn down villages, the people are forbidden to light a candle</description>
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		<title>By: ratnakar jha</title>
		<link>http://kasamaproject.org/2010/03/21/walking-with-the-comrades/#comment-28397</link>
		<dc:creator><![CDATA[ratnakar jha]]></dc:creator>
		<pubDate>Tue, 14 Sep 2010 08:53:38 +0000</pubDate>
		<guid isPermaLink="false">http://kasamaproject.org/?p=17607#comment-28397</guid>
		<description><![CDATA[this is the best article i have ever read ...in this article Arundhati Roy 
point-out the actual grass-root level fact of naxal]]></description>
		<content:encoded><![CDATA[<p>this is the best article i have ever read &#8230;in this article Arundhati Roy<br />
point-out the actual grass-root level fact of naxal</p>
]]></content:encoded>
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	<item>
		<title>By: Bill Barnett</title>
		<link>http://kasamaproject.org/2010/03/21/walking-with-the-comrades/#comment-27480</link>
		<dc:creator><![CDATA[Bill Barnett]]></dc:creator>
		<pubDate>Mon, 23 Aug 2010 22:24:50 +0000</pubDate>
		<guid isPermaLink="false">http://kasamaproject.org/?p=17607#comment-27480</guid>
		<description><![CDATA[Greetings from the United States! 
Arundhati Roy&#039;s story I just read all of it. Wow! Most amazing thing I have ever read! I am so moved and impressed by the bravery and courage of the PLGA comrades of India. I have heard of other freedom movements around the world, but truly the PLGA is the most impressive of all. They endure such hardships and their cause is such a noble one. To combat the greedy and evil barbarians that oppress them and their land. It is my hope that their story gets truthfully reported in the big mainstream medias of the world. The PLGA people are truly an inspiration to others in this world who too; have been victimized by the criminals of greed and imperialism. I wish the PLGA people the very very best of good fortune in their quest to defeat the corporate and political sociopaths who rule over India. May God bless and keep you safe always! 

P.S. Arundhati Roy....you are an Angel. You deserve a Pulitzer Prize for your outstanding writings!]]></description>
		<content:encoded><![CDATA[<p>Greetings from the United States!<br />
Arundhati Roy&#8217;s story I just read all of it. Wow! Most amazing thing I have ever read! I am so moved and impressed by the bravery and courage of the PLGA comrades of India. I have heard of other freedom movements around the world, but truly the PLGA is the most impressive of all. They endure such hardships and their cause is such a noble one. To combat the greedy and evil barbarians that oppress them and their land. It is my hope that their story gets truthfully reported in the big mainstream medias of the world. The PLGA people are truly an inspiration to others in this world who too; have been victimized by the criminals of greed and imperialism. I wish the PLGA people the very very best of good fortune in their quest to defeat the corporate and political sociopaths who rule over India. May God bless and keep you safe always! </p>
<p>P.S. Arundhati Roy&#8230;.you are an Angel. You deserve a Pulitzer Prize for your outstanding writings!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Hegemonik</title>
		<link>http://kasamaproject.org/2010/03/21/walking-with-the-comrades/#comment-22197</link>
		<dc:creator><![CDATA[Hegemonik]]></dc:creator>
		<pubDate>Thu, 01 Apr 2010 03:10:54 +0000</pubDate>
		<guid isPermaLink="false">http://kasamaproject.org/?p=17607#comment-22197</guid>
		<description><![CDATA[It is of note that the aforementioned writing from Kafila is now openly cited by the Indian affiliate of the Wall Street Journal (LiveMint): http://www.livemint.com/2010/03/31210209/Maostan-of-Arundhati-Roy.html

&quot;Left in form, right in essence&quot; when it comes to that essay...]]></description>
		<content:encoded><![CDATA[<p>It is of note that the aforementioned writing from Kafila is now openly cited by the Indian affiliate of the Wall Street Journal (LiveMint): <a href="http://www.livemint.com/2010/03/31210209/Maostan-of-Arundhati-Roy.html" rel="nofollow">http://www.livemint.com/2010/03/31210209/Maostan-of-Arundhati-Roy.html</a></p>
<p>&#8220;Left in form, right in essence&#8221; when it comes to that essay&#8230;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Shakir Ally</title>
		<link>http://kasamaproject.org/2010/03/21/walking-with-the-comrades/#comment-22193</link>
		<dc:creator><![CDATA[Shakir Ally]]></dc:creator>
		<pubDate>Thu, 01 Apr 2010 02:14:15 +0000</pubDate>
		<guid isPermaLink="false">http://kasamaproject.org/?p=17607#comment-22193</guid>
		<description><![CDATA[Wow !!
Arudhati Roy gives a real and human face of those marginalized people who have been victims of hate campaign through the ages. As a person of Pakistani origin, we look towards our brethren for inspiration towards a complete change in the feudal inhuman system that is only serving the interests of neo-colonialists and exploiters.]]></description>
		<content:encoded><![CDATA[<p>Wow !!<br />
Arudhati Roy gives a real and human face of those marginalized people who have been victims of hate campaign through the ages. As a person of Pakistani origin, we look towards our brethren for inspiration towards a complete change in the feudal inhuman system that is only serving the interests of neo-colonialists and exploiters.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: himalove</title>
		<link>http://kasamaproject.org/2010/03/21/walking-with-the-comrades/#comment-21900</link>
		<dc:creator><![CDATA[himalove]]></dc:creator>
		<pubDate>Wed, 24 Mar 2010 13:27:33 +0000</pubDate>
		<guid isPermaLink="false">http://kasamaproject.org/?p=17607#comment-21900</guid>
		<description><![CDATA[It will be a great honor for me to translate this courageous article in the language of Jean-Paul SARTRE and Frantz FANON...

HIMALOVE]]></description>
		<content:encoded><![CDATA[<p>It will be a great honor for me to translate this courageous article in the language of Jean-Paul SARTRE and Frantz FANON&#8230;</p>
<p>HIMALOVE</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: G</title>
		<link>http://kasamaproject.org/2010/03/21/walking-with-the-comrades/#comment-21889</link>
		<dc:creator><![CDATA[G]]></dc:creator>
		<pubDate>Wed, 24 Mar 2010 05:51:17 +0000</pubDate>
		<guid isPermaLink="false">http://kasamaproject.org/?p=17607#comment-21889</guid>
		<description><![CDATA[I think the comrades in India and Nepal have made themselves capable of wielding political power. 

“You will have to go through fifteen, twenty, fifty years of civil wars and international conflicts, not only to change existing conditions, but also to change yourselves and to make yourselves capable of wielding political power.” -K. Marx and F. Engels, Works, Vol. VIII, p. 506).]]></description>
		<content:encoded><![CDATA[<p>I think the comrades in India and Nepal have made themselves capable of wielding political power. </p>
<p>“You will have to go through fifteen, twenty, fifty years of civil wars and international conflicts, not only to change existing conditions, but also to change yourselves and to make yourselves capable of wielding political power.” -K. Marx and F. Engels, Works, Vol. VIII, p. 506).</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Mike E</title>
		<link>http://kasamaproject.org/2010/03/21/walking-with-the-comrades/#comment-21882</link>
		<dc:creator><![CDATA[Mike E]]></dc:creator>
		<pubDate>Wed, 24 Mar 2010 01:04:45 +0000</pubDate>
		<guid isPermaLink="false">http://kasamaproject.org/?p=17607#comment-21882</guid>
		<description><![CDATA[&lt;em&gt;IN commentary on the piece above our own RedFlags wrote in justified defense of Arundhati Roy:&lt;/em&gt;

This is fairly tired meta-critique of the Camus variety, which attacks the character and motivations of those who sympathize with the struggle of lower class people as some kind of pathology. In the case of Camus, he used a twisted, liberal anti-communism to justify his own support of French colonialism and its racist torture state in Algeria. Instead of justifying the obvious, explicit racism and brutality of the French, he wrote book after book condemning as “totalitarian” and “terrorist” any attempt of oppressed people to constitute their own state.

This normalizes the rule of imperialists, of caste and underdevelopment. It treats feces in drinking water as normal, and the corrupt state inherited from the British Raj as a legitimate.

Unless the author of this critique is urging the Indian comprador state disarm, then his real issue isn’t with violence – but the armed power of people to stand up for themselves. The issue is never “violence” – because he only condemns the arming of the people against the violence of the state.

Hundreds of millions starve in India while the elites live in disgusting luxury. That is violence. Modi and the BJP are violence. Corrupt courts that rule for barons over tribals are violence. People’s War is not a cult of violence, it is about developing the agency of people who have been treated as without rights, without politics – mere objects to be exploited or exterminated as capital requires.

Intellectual honesty? Let’s be real about who is honest. Ms. Roy is risking her life to write this article. The terrorists of the RSS and BJP, the murderers associated with the corrupt CPI(marxist) and counter-insurgency troops being trained by the Indian state to murder Indian people are a direct threat to her. And you, claiming integrity and “honesty” are the coward, the manipulator and the thief, truly, who holds that the lot of the poor is to suffer.

Maybe they are tired of the lies. Maybe it’s time for India to have a revolution. Maybe the time for complaint and prayer is over. To preach pacifism to people who have no option is to demand their death.

Intellectuals of justification, as this critic is plainly, are cowards and literary prostitutes.]]></description>
		<content:encoded><![CDATA[<p><em>IN commentary on the piece above our own RedFlags wrote in justified defense of Arundhati Roy:</em></p>
<p>This is fairly tired meta-critique of the Camus variety, which attacks the character and motivations of those who sympathize with the struggle of lower class people as some kind of pathology. In the case of Camus, he used a twisted, liberal anti-communism to justify his own support of French colonialism and its racist torture state in Algeria. Instead of justifying the obvious, explicit racism and brutality of the French, he wrote book after book condemning as “totalitarian” and “terrorist” any attempt of oppressed people to constitute their own state.</p>
<p>This normalizes the rule of imperialists, of caste and underdevelopment. It treats feces in drinking water as normal, and the corrupt state inherited from the British Raj as a legitimate.</p>
<p>Unless the author of this critique is urging the Indian comprador state disarm, then his real issue isn’t with violence – but the armed power of people to stand up for themselves. The issue is never “violence” – because he only condemns the arming of the people against the violence of the state.</p>
<p>Hundreds of millions starve in India while the elites live in disgusting luxury. That is violence. Modi and the BJP are violence. Corrupt courts that rule for barons over tribals are violence. People’s War is not a cult of violence, it is about developing the agency of people who have been treated as without rights, without politics – mere objects to be exploited or exterminated as capital requires.</p>
<p>Intellectual honesty? Let’s be real about who is honest. Ms. Roy is risking her life to write this article. The terrorists of the RSS and BJP, the murderers associated with the corrupt CPI(marxist) and counter-insurgency troops being trained by the Indian state to murder Indian people are a direct threat to her. And you, claiming integrity and “honesty” are the coward, the manipulator and the thief, truly, who holds that the lot of the poor is to suffer.</p>
<p>Maybe they are tired of the lies. Maybe it’s time for India to have a revolution. Maybe the time for complaint and prayer is over. To preach pacifism to people who have no option is to demand their death.</p>
<p>Intellectuals of justification, as this critic is plainly, are cowards and literary prostitutes.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Mike E</title>
		<link>http://kasamaproject.org/2010/03/21/walking-with-the-comrades/#comment-21881</link>
		<dc:creator><![CDATA[Mike E]]></dc:creator>
		<pubDate>Wed, 24 Mar 2010 00:54:13 +0000</pubDate>
		<guid isPermaLink="false">http://kasamaproject.org/?p=17607#comment-21881</guid>
		<description><![CDATA[IN counterpoint to my own remarks above, here is conservative dissecting of what Arundhati is doing (note the first paragraphs are dull, but it gets more biting):

* * * * * * * 

[It is by ANIRBAN GUPTA NIGAM, and comes with the title &quot;&lt;a href=&quot;http://kafila.org/2010/03/23/moonwalking-with-the-comrades/&quot; rel=&quot;nofollow&quot;&gt;Moonwalking with the Comrades&lt;/a&gt;&quot;)

The last book François Furet wrote before his death in 1997 was called The Passing of an Illusion. At the very beginning of the first chapter of that book, Furet spelt out the central question driving his study:

     &lt;blockquote&gt; What is surprising is not that certain intellectuals should share the spirit of the times, but that they should fall prey to it, without making any effort to mark it with their own stamp. […] twentieth century French writers aligned themselves with parties, especially radical ones hostile to democracy. They always played the same (provisional) role as supernumeraries, were manipulated as one man, and were sacrificed when necessary, to the will of the party. So we are bound to wonder what it was that made those ideologies so alluring, that gave them an attraction so general yet so mysterious.&lt;/blockquote&gt;

Furet’s book emerged from an autopsy of his own past as a as a Communist “between 1949 and 1956.” He wrote, further, that his years as a Communist bequeathed to him an enduring desire to unlock the mystique of revolutionary ideology. Given this, it’s not difficult to see why he pioneered some of the most brilliant historiographical work on the French Revolution. The question we are concerned with here is the one I have quoted at length above; for it seems that in our own day, this strange romance between (formerly) fiercely independent intellectuals, scholars, activists and the – a – party, continues.

The latest document of this affair is a long essay by Arundhati Roy (once famous for her declaration of herself as an”independent mobile republic”), titled ‘Walking with the Comrades,’ published in the latest issue of Outlook. It makes for exciting reading, as a lot of well-written travel literature does; but it is significant for another reason: in the current debate over ‘Operation Green Hunt,’ with many versions of ‘ground realities’ fighting amongst themselves, this document is Roy’s attempt at producing an (her) authentic truth, so immersed in the charming details of revolutionary existence that everything else becomes secondary. If we were ever to perform an autopsy of our twentieth century’s ‘Communist’ pasts, ‘Walking with the Comrades’ would probably be as good a place to start as any.

In the article Roy speaks of her travels across Dandakaranya as personal guest of the CPI (Maoist.) Armed with her idealism she traverses forests and villages in search of truth. Before she leaves Delhi, her mother calls to announce (“with a mother’s weird instinct”) that what India needs is a revolution. She sets out to find it.

Two tropes underpin Roy’s rhetoric throughout: the constant equation of weaponry with beauty and joy, and the repeated emphasis – if without much insight – on the militarisation of daily life. Both seem to suggest to her, the epitome of revolutionary spirit – the one we have learnt India needs right now. But this affinity of death with beauty harks back to another – perhaps more accurate – tradition that Susan Sontag spoke of in her 1975 essay ‘Fascinating Fascism.’ National Socialism, she wrote, stood for values which at the time she was writing, were deeply cherished by ‘open societies.’ Among these were “the cult of beauty, the fetishism of courage, the dissolution of alienation in ecstatic feelings of community.” Roy’s representation of the Maoists is nothing short of similar fetishisation. Chandu, a twenty-year old cadre, meets her with a “lovely smile.” They trek and she wonders about his “bemused village boy air.” Eventually she discovers “he could handle every kind of weapon, ‘except for an LMG’, he informed me cheerfully.” At a Maoist camp she meets hundreds of comrades lined up in two rows, each with “a weapon and a smile.” Roy is at her elegiac best when she speaks of comrade Niti who is “considered to be so dangerous and is being hunted with such desperation not because she has led many ambushes (which she has), but because she is an adivasi woman who is loved by people in the village and is a real inspiration to young people. She speaks with her AK on her shoulder. (It’s a gun with a story. Almost everyone’s gun has a story: who it was snatched from, how, and by whom).”

Is this a commentator on politics, or the PR department of the American National Rifle Association? (“Almost everyone’s gun has a story” – someone should sell this!)

Roy’s wanderings are not the first or only documentation we have of the complete militarisation of everyday life in these regions. But there’s something else at work here, which we might wish to pay attention to: “Comrade Raju is briefing the group. It’s all in Gondi, I don’t understand a thing, but I keep hearing the word RV. Later Raju tells me it stands for Rendezvous! It’s a Gondi word now.” Other words with tribals here understand are: Cordon and Search, Firing, Advance, Retreat, Down, Action. She speaks of a celebratory ritual where armed cadre surround locals and then join in, proving to her that “what Chairman Mao said about the guerrillas being the fish and people being the water they swim in, is, at this moment, literally true.” (Emphasis added.) Then there is this gem:

      BBC says there’s been an attack on a camp of Eastern Frontier Rifles in Lalgarh, West Bengal. Sixty Maoists on motorcycles. Fourteen policemen killed. Ten missing. Weapons snatched. There’s a murmur of pleasure in the ranks. Maoist leader Kishenji is being interviewed. When will you stop this violence and come for talks? When Operation Green Hunt is called off. Any time. Tell Chidambaram we will talk. Next question: it’s dark now, you have laid landmines, reinforcements have been called in, will you attack them too? Kishenji: Yes, of course, otherwise people will beat me. There’s laughter in the ranks. Sukhdev the clarifier says, “They always say landmines. We don’t use landmines. We use IEDs. ” (Emphasis added.)

But perhaps the most revealing instance of this absolute internalisation of violence comes when Roy finds the comrades watching Mother India one night, and asks Kamla if she likes to watch films. Kamla replies: “Nahin didi. Sirf ambush video (No didi. Only ambush videos).” We wonder along with Roy, what these ‘ambush videos’ are. It turns out that one of them

      “starts with shots of Dandakaranya, rivers, waterfalls, the close-up of a bare branch of a tree, a brainfever bird calling. Then suddenly a comrade is wiring up an IED, concealing it with dry leaves. A cavalcade of motorcycles is blown up. There are mutilated bodies and burning bikes. The weapons are being snatched. Three policemen, looking shell-shocked, have been tied up.”

We are, by now, far away from the usual argument of ‘violence-counter-violence’ that frames discussions around the Maoists. The impulse to record, archive and then consume acts of violence, paradoxically, is the quintessential part of the culture of capitalist modernity that the Maoists claim to despise. Of course, none of this makes a difference to Roy. These narratives do not indicate to her anything about the nature of the Communist Party of India (Maoist.) They do not suggest to her, for instance, that a tendency towards destructive (dare we say creative) violence is embedded in the culture of the party. Watching mutilated bodies of people is not a response to state violence. It is a precursor to the cultural fetishisation of death in much the same way that Nazi paraphernalia was eroticised in the aftermath of the war. ‘Revolutionary justice’ is just another name for murder. Scant surprise then, that our travel advisor has a bordering-on-kind word for the “rude justice” of peoples’ courts.

By the time we stumble onto these facts, we have already learnt the Maoist version of Indian tribal history – one which our author endorses – one where unproblematic lines are drawn from the colonial era to Naxalbari and now, ‘Operation Green Hunt.’ By this time we also know what our tour-guide is looking for: not just her mother’s intuitive revolution, but something more modest: a dream. And she finds this in the teachings of Charu Mazumdar. Although the Naxal movement was full of contradictions, although it committed some excesses, we cannot deny she writes, that “Charu Mazumdar was a visionary in much of what he wrote and said. The party he founded (and its many splinter groups) has kept the dream of revolution real and present in India. Imagine a society without that dream. For that alone, we cannot judge him too harshly. Especially not while we swaddle ourselves with Gandhi’s pious humbug about the superiority of “the non-violent way” and his notion of trusteeship.” (Emphasis added.)

(As if the only counterpoint to the Maoist ideology today in India is Gandhian humbug. But then, that’s the easiest effigy to demolish.)

Further: “When the Party is a suitor (as it is now in Dandakaranya), wooing the people, attentive to their every need, then it genuinely is a People’s Party, its army genuinely a People’s Army. But after the Revolution how easily this love affair can turn into a bitter marriage. How easily the People’s Army can turn upon the people. Today in Dandakaranya, the Party wants to keep the bauxite in the mountain. Tomorrow, will it change its mind? But can we, should we let apprehensions about the future immobilise us in the present?”

A fancy way of phrasing a simple question. We know by now that the population being produced as ‘tribal’ by our author is actually either Maoist cadre, or live in the presence of people who laugh while wielding their guns and watching their victims on tape. If this is not reason enough to worry about such an organisation, perhaps the history of twentieth century revolutionary projects could throw a light on the matter. But of course, the actual history of these movements doesn’t count. Only the dreams they were born with. If “big damns are a crime against humanity,” if the Nehruvian dream of modernity is over, perhaps it is time for our author to reflect on the fact that with the twentieth century, that other modernist dream – revolution – has also passed.]]></description>
		<content:encoded><![CDATA[<p>IN counterpoint to my own remarks above, here is conservative dissecting of what Arundhati is doing (note the first paragraphs are dull, but it gets more biting):</p>
<p>* * * * * * * </p>
<p>[It is by ANIRBAN GUPTA NIGAM, and comes with the title "<a href="http://kafila.org/2010/03/23/moonwalking-with-the-comrades/" rel="nofollow">Moonwalking with the Comrades</a>")</p>
<p>The last book François Furet wrote before his death in 1997 was called The Passing of an Illusion. At the very beginning of the first chapter of that book, Furet spelt out the central question driving his study:</p>
<blockquote><p> What is surprising is not that certain intellectuals should share the spirit of the times, but that they should fall prey to it, without making any effort to mark it with their own stamp. […] twentieth century French writers aligned themselves with parties, especially radical ones hostile to democracy. They always played the same (provisional) role as supernumeraries, were manipulated as one man, and were sacrificed when necessary, to the will of the party. So we are bound to wonder what it was that made those ideologies so alluring, that gave them an attraction so general yet so mysterious.</p></blockquote>
<p>Furet’s book emerged from an autopsy of his own past as a as a Communist “between 1949 and 1956.” He wrote, further, that his years as a Communist bequeathed to him an enduring desire to unlock the mystique of revolutionary ideology. Given this, it’s not difficult to see why he pioneered some of the most brilliant historiographical work on the French Revolution. The question we are concerned with here is the one I have quoted at length above; for it seems that in our own day, this strange romance between (formerly) fiercely independent intellectuals, scholars, activists and the – a – party, continues.</p>
<p>The latest document of this affair is a long essay by Arundhati Roy (once famous for her declaration of herself as an”independent mobile republic”), titled ‘Walking with the Comrades,’ published in the latest issue of Outlook. It makes for exciting reading, as a lot of well-written travel literature does; but it is significant for another reason: in the current debate over ‘Operation Green Hunt,’ with many versions of ‘ground realities’ fighting amongst themselves, this document is Roy’s attempt at producing an (her) authentic truth, so immersed in the charming details of revolutionary existence that everything else becomes secondary. If we were ever to perform an autopsy of our twentieth century’s ‘Communist’ pasts, ‘Walking with the Comrades’ would probably be as good a place to start as any.</p>
<p>In the article Roy speaks of her travels across Dandakaranya as personal guest of the CPI (Maoist.) Armed with her idealism she traverses forests and villages in search of truth. Before she leaves Delhi, her mother calls to announce (“with a mother’s weird instinct”) that what India needs is a revolution. She sets out to find it.</p>
<p>Two tropes underpin Roy’s rhetoric throughout: the constant equation of weaponry with beauty and joy, and the repeated emphasis – if without much insight – on the militarisation of daily life. Both seem to suggest to her, the epitome of revolutionary spirit – the one we have learnt India needs right now. But this affinity of death with beauty harks back to another – perhaps more accurate – tradition that Susan Sontag spoke of in her 1975 essay ‘Fascinating Fascism.’ National Socialism, she wrote, stood for values which at the time she was writing, were deeply cherished by ‘open societies.’ Among these were “the cult of beauty, the fetishism of courage, the dissolution of alienation in ecstatic feelings of community.” Roy’s representation of the Maoists is nothing short of similar fetishisation. Chandu, a twenty-year old cadre, meets her with a “lovely smile.” They trek and she wonders about his “bemused village boy air.” Eventually she discovers “he could handle every kind of weapon, ‘except for an LMG’, he informed me cheerfully.” At a Maoist camp she meets hundreds of comrades lined up in two rows, each with “a weapon and a smile.” Roy is at her elegiac best when she speaks of comrade Niti who is “considered to be so dangerous and is being hunted with such desperation not because she has led many ambushes (which she has), but because she is an adivasi woman who is loved by people in the village and is a real inspiration to young people. She speaks with her AK on her shoulder. (It’s a gun with a story. Almost everyone’s gun has a story: who it was snatched from, how, and by whom).”</p>
<p>Is this a commentator on politics, or the PR department of the American National Rifle Association? (“Almost everyone’s gun has a story” – someone should sell this!)</p>
<p>Roy’s wanderings are not the first or only documentation we have of the complete militarisation of everyday life in these regions. But there’s something else at work here, which we might wish to pay attention to: “Comrade Raju is briefing the group. It’s all in Gondi, I don’t understand a thing, but I keep hearing the word RV. Later Raju tells me it stands for Rendezvous! It’s a Gondi word now.” Other words with tribals here understand are: Cordon and Search, Firing, Advance, Retreat, Down, Action. She speaks of a celebratory ritual where armed cadre surround locals and then join in, proving to her that “what Chairman Mao said about the guerrillas being the fish and people being the water they swim in, is, at this moment, literally true.” (Emphasis added.) Then there is this gem:</p>
<p>      BBC says there’s been an attack on a camp of Eastern Frontier Rifles in Lalgarh, West Bengal. Sixty Maoists on motorcycles. Fourteen policemen killed. Ten missing. Weapons snatched. There’s a murmur of pleasure in the ranks. Maoist leader Kishenji is being interviewed. When will you stop this violence and come for talks? When Operation Green Hunt is called off. Any time. Tell Chidambaram we will talk. Next question: it’s dark now, you have laid landmines, reinforcements have been called in, will you attack them too? Kishenji: Yes, of course, otherwise people will beat me. There’s laughter in the ranks. Sukhdev the clarifier says, “They always say landmines. We don’t use landmines. We use IEDs. ” (Emphasis added.)</p>
<p>But perhaps the most revealing instance of this absolute internalisation of violence comes when Roy finds the comrades watching Mother India one night, and asks Kamla if she likes to watch films. Kamla replies: “Nahin didi. Sirf ambush video (No didi. Only ambush videos).” We wonder along with Roy, what these ‘ambush videos’ are. It turns out that one of them</p>
<p>      “starts with shots of Dandakaranya, rivers, waterfalls, the close-up of a bare branch of a tree, a brainfever bird calling. Then suddenly a comrade is wiring up an IED, concealing it with dry leaves. A cavalcade of motorcycles is blown up. There are mutilated bodies and burning bikes. The weapons are being snatched. Three policemen, looking shell-shocked, have been tied up.”</p>
<p>We are, by now, far away from the usual argument of ‘violence-counter-violence’ that frames discussions around the Maoists. The impulse to record, archive and then consume acts of violence, paradoxically, is the quintessential part of the culture of capitalist modernity that the Maoists claim to despise. Of course, none of this makes a difference to Roy. These narratives do not indicate to her anything about the nature of the Communist Party of India (Maoist.) They do not suggest to her, for instance, that a tendency towards destructive (dare we say creative) violence is embedded in the culture of the party. Watching mutilated bodies of people is not a response to state violence. It is a precursor to the cultural fetishisation of death in much the same way that Nazi paraphernalia was eroticised in the aftermath of the war. ‘Revolutionary justice’ is just another name for murder. Scant surprise then, that our travel advisor has a bordering-on-kind word for the “rude justice” of peoples’ courts.</p>
<p>By the time we stumble onto these facts, we have already learnt the Maoist version of Indian tribal history – one which our author endorses – one where unproblematic lines are drawn from the colonial era to Naxalbari and now, ‘Operation Green Hunt.’ By this time we also know what our tour-guide is looking for: not just her mother’s intuitive revolution, but something more modest: a dream. And she finds this in the teachings of Charu Mazumdar. Although the Naxal movement was full of contradictions, although it committed some excesses, we cannot deny she writes, that “Charu Mazumdar was a visionary in much of what he wrote and said. The party he founded (and its many splinter groups) has kept the dream of revolution real and present in India. Imagine a society without that dream. For that alone, we cannot judge him too harshly. Especially not while we swaddle ourselves with Gandhi’s pious humbug about the superiority of “the non-violent way” and his notion of trusteeship.” (Emphasis added.)</p>
<p>(As if the only counterpoint to the Maoist ideology today in India is Gandhian humbug. But then, that’s the easiest effigy to demolish.)</p>
<p>Further: “When the Party is a suitor (as it is now in Dandakaranya), wooing the people, attentive to their every need, then it genuinely is a People’s Party, its army genuinely a People’s Army. But after the Revolution how easily this love affair can turn into a bitter marriage. How easily the People’s Army can turn upon the people. Today in Dandakaranya, the Party wants to keep the bauxite in the mountain. Tomorrow, will it change its mind? But can we, should we let apprehensions about the future immobilise us in the present?”</p>
<p>A fancy way of phrasing a simple question. We know by now that the population being produced as ‘tribal’ by our author is actually either Maoist cadre, or live in the presence of people who laugh while wielding their guns and watching their victims on tape. If this is not reason enough to worry about such an organisation, perhaps the history of twentieth century revolutionary projects could throw a light on the matter. But of course, the actual history of these movements doesn’t count. Only the dreams they were born with. If “big damns are a crime against humanity,” if the Nehruvian dream of modernity is over, perhaps it is time for our author to reflect on the fact that with the twentieth century, that other modernist dream – revolution – has also passed.</p>
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		<title>By: Mike E</title>
		<link>http://kasamaproject.org/2010/03/21/walking-with-the-comrades/#comment-21880</link>
		<dc:creator><![CDATA[Mike E]]></dc:creator>
		<pubDate>Wed, 24 Mar 2010 00:30:45 +0000</pubDate>
		<guid isPermaLink="false">http://kasamaproject.org/?p=17607#comment-21880</guid>
		<description><![CDATA[I think we should step back, after saying &quot;wow&quot; a few times. And give  a &quot;second read&quot; to this piece, and analyse what exactly AR is doing here... and look at those who are baring claws to rake her.

This story was not lying there as (like a pebble) for her to pick up and tuck in her pocket. She &lt;em&gt;created&lt;/em&gt; in a multi-layered way -- pieced together from real experiences, interviews and data -- but &lt;em&gt;constructed&lt;/em&gt; in the context of a media offensive, in a landscape of layers prejudices amid coiled military killers and assassins&#039; threats. We should learn from what she just did, and we should rise to her defense.

1) She is humanizing the Maoists. Over and over again she point out that those (who the media has made faceless fearful &quot;security threats&quot;) are young people full of hope and love for the people. People with real faces, real stories, and real reasons for taking up arms. She asks, &quot;will they die?&quot; And our hearts ache.

2) She (over and over) points out that the hidden story in these regions are the MOUs (the secret agreements with major corporations for land, mining, wealth extraction and more). 

3) She explores the clash between her own preconceptions and the reality she encounters -- and present the reader with a chance to imagine how THEIR preconceptions and prejudices would be challenged if they were there, in the glaring sun and secrecy of the forests.

4) She makes a case for history -- seeing the arc of events, their background, their development -- so that these Maoists don&#039;t &quot;explode into public view&quot; the moment the media choose to &quot;discover&quot; them.

5) She unfolds a serious engagement with violence. And she asks herself (and the reader) what should be proposed as an alternative to these youth and villagers. Who will help them? What problem will solve their problems? Who will save them from genocide and exploitation and degradations? And if there are no alternatives... then what is so wrong about forming a peoples army of this kind.

6) She unfolds a relationship between the people (the tribals driven into the forest) and the cadre (driven from their defeats in Andra Pradesh). Maoist and peasant mix and merge. The mounting government attack on the Maoists in these base areas is an attack on the people. The final assault on the peoples land rights requires a serious military search-and-destroy aimed at the core Maoist forces. Again: it is a refutation of the carefully constructed disinformation of the media in India.

Given our discussion of mass line... there is something to say about what is happening here.]]></description>
		<content:encoded><![CDATA[<p>I think we should step back, after saying &#8220;wow&#8221; a few times. And give  a &#8220;second read&#8221; to this piece, and analyse what exactly AR is doing here&#8230; and look at those who are baring claws to rake her.</p>
<p>This story was not lying there as (like a pebble) for her to pick up and tuck in her pocket. She <em>created</em> in a multi-layered way &#8212; pieced together from real experiences, interviews and data &#8212; but <em>constructed</em> in the context of a media offensive, in a landscape of layers prejudices amid coiled military killers and assassins&#8217; threats. We should learn from what she just did, and we should rise to her defense.</p>
<p>1) She is humanizing the Maoists. Over and over again she point out that those (who the media has made faceless fearful &#8220;security threats&#8221;) are young people full of hope and love for the people. People with real faces, real stories, and real reasons for taking up arms. She asks, &#8220;will they die?&#8221; And our hearts ache.</p>
<p>2) She (over and over) points out that the hidden story in these regions are the MOUs (the secret agreements with major corporations for land, mining, wealth extraction and more). </p>
<p>3) She explores the clash between her own preconceptions and the reality she encounters &#8212; and present the reader with a chance to imagine how THEIR preconceptions and prejudices would be challenged if they were there, in the glaring sun and secrecy of the forests.</p>
<p>4) She makes a case for history &#8212; seeing the arc of events, their background, their development &#8212; so that these Maoists don&#8217;t &#8220;explode into public view&#8221; the moment the media choose to &#8220;discover&#8221; them.</p>
<p>5) She unfolds a serious engagement with violence. And she asks herself (and the reader) what should be proposed as an alternative to these youth and villagers. Who will help them? What problem will solve their problems? Who will save them from genocide and exploitation and degradations? And if there are no alternatives&#8230; then what is so wrong about forming a peoples army of this kind.</p>
<p>6) She unfolds a relationship between the people (the tribals driven into the forest) and the cadre (driven from their defeats in Andra Pradesh). Maoist and peasant mix and merge. The mounting government attack on the Maoists in these base areas is an attack on the people. The final assault on the peoples land rights requires a serious military search-and-destroy aimed at the core Maoist forces. Again: it is a refutation of the carefully constructed disinformation of the media in India.</p>
<p>Given our discussion of mass line&#8230; there is something to say about what is happening here.</p>
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		<title>By: Gary</title>
		<link>http://kasamaproject.org/2010/03/21/walking-with-the-comrades/#comment-21863</link>
		<dc:creator><![CDATA[Gary]]></dc:creator>
		<pubDate>Tue, 23 Mar 2010 15:29:36 +0000</pubDate>
		<guid isPermaLink="false">http://kasamaproject.org/?p=17607#comment-21863</guid>
		<description><![CDATA[I think Roy&#039;s figurative use of &quot;avatar&quot; refers to an incarnation of Vishnu rather than anything in the movie. This would be the standard south Asian reading of her text.]]></description>
		<content:encoded><![CDATA[<p>I think Roy&#8217;s figurative use of &#8220;avatar&#8221; refers to an incarnation of Vishnu rather than anything in the movie. This would be the standard south Asian reading of her text.</p>
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